Peter Uehling, Berliner Zeitung, October 2016
“The soloists of Komische Oper were also in excellent form, embedded in a string sound manifoldly shaded by Michael Francis. In the “Sea Interludes” from Britten’s “Peter Grimes”, he showed a great sense of creating effects, in Schumann’s Rhenish Symphony he proved to be an enormously stringent (compelling) interpreter.”
