Lukas Schulze, The San Diego Union-Tribune, 13th June 2022
“Francis and group were effortless and energetic, both here and even more so in the rushing and vigorous final Allegro (whose “ma non troppo,” or “not too much,” was taken with a welcome grain of salt). Mainly Mozart’s All-Star Orchestra is literally that — a group […]
Bill DeYoung, St. Pete Catalyst, 4th May 2022
Looking backwards has never been a priority for Michael Francis, musical director of The Florida Orchestra. The maestro is always focused on the now, the new, the next big thing.
And as TFO begins its final month of concerts before the summer break, Francis is quite naturally enthused […]
Stefan M. Dettlinger, Mannheimer Morgen, 7th April 2022
“Michael Francis puts his superpower at 1.3 million units. The number is based on the 1.3 million alligators present at the place where the principal conductor of the State Philharmonic lives. In Florida. A curiosity. Numbers like these can now be used to play cards. More specifically: […]
Frank Pommer, Die Rheinpfalz, 7th April 2022
“Michael Francis is once again the ideal type of mediating conductor. He doesn’t resemble at all the cliché of the detached maestro basking in applause. Instead, he wants to explain what he is doing, both to his musicians and to the audience. And he is able to inspire […]
Noah Vinzens, Schwäbische Zeitung, 21st January 2022
“Playful, cheeky, light-hearted: The oboe opens Maurice Ravel’s Orchestra Suite with a soft solo performance. The clarinet provides an answer while the string section is just quietly plucking away at their instruments in the background. “Le tombeau de Couperin” (Couperin’s Tomb), which Ravel had originally conceived as […]
Karl Georg Berg, Die Reinpfalz, 29th November 2021
“With the dazzlingly organised State Philharmonic Orchestra, Michael Francis offered a [Brahm’s Symphony No. 3] rendition carried by great passion and intensity. The conductor succeeded in a fascinating way in making a much-played and well-known work sound as if it were new. The melancholy third movement […]
Gabor Halasz, Die Reinpfalz, 18th November 2021
“Michael Francis, as well as the rest of the program, did justice to Shchedrin’s brilliant compositional style, his imagination in the best possible way. His performance was meticulous, feeling spontaneous. He was always reacting quickly with exceptionally elegant conducting. It was experiencing a maestro in the best […]
Frederik Hanssen, Der Tagesspiegel, 23rd October 2021
“There is a pleasant atmosphere of mindfulness and respect in the Konzerthaus on Friday. The naturalness with which Michael Francis shares the applause with the Rundfunk-Sinfonieorchester Berlin after each piece, with which he appreciates the achievements of the soloists and the vocal groups, and the way in […]
Gabor Halasz, Die Rheinland, 12th September 2021
Under Francis’ perfectly clear, precise and elegant baton, the State Philharmonic’s performance was extremely concentrated, compact and passionate throughout. In this regard, the eloquence of the conductor’s communication must also be emphasized, which vividly indicated the phrasing, articulation, expression and dynamic. The music lived, breathed and spoke […]
Jan-Geert Wolff, Allgemeine Beitung, 7th September 2021
“…it was a special sound experience, which was foremost also thanks to the empathetic playing of the musicians. If in the original one is astonished by the pianissimo in the beginning, here it sounds almost crystalline fine. Above all, the interpretation distinguishes itself by enormous transparency with its […]
