Ken Herman, San Diego Story, 18th June 2018
“…the evening’s award for most audacious ensemble work came from 15 members of the orchestra who gave a vibrant account of Igor Stravinsky’s sparkling, neoclasical “Dumbarton Oaks” Concerto from 1938…Francis had the Mainly Mozart players stand for their performance, which added to their athletic but supremely refined […]
Christian Hertzog, San Diego Union-Tribune, 17th June 2018
“Festival director Michael Francis led 15 musicians in a crackling performance. Many groups play the outer movements of “Dumbarton Oaks” under tempo, but Francis matched the speeds of Stravinsky’s own recordings…All 10 string players marvelously dug into their parts, playing with bite or sweetness as appropriate, slamming […]
Ken Herman, San Diego Story, 11th June 2018
“For Sergei’s Rachmaninoff’s “Vocalise,” the program opener, the additional strings from the Youth Orchestra gave the Festival Orchestra an unusually lush, satiny sonority that could not have been better suited to the composer’s effulgent style: urgent, dramatic surges capped with dreamy themes. Francis certainly appeared delighted to […]
Ken Herman, San Diego Story, 10th June 2018
“Michael Francis opened the 30th installment of San Diego’s annual Mainly Mozart Festival Saturday with an ebullient orchestra concert that brought back the excitement of the festival’s heady beginnings under David Atherton.”
“Even if festival Music Director Francis had not titled this concert “Rebel with a Cause,” the […]
Christian Hertzog, San Diego Union-Tribune, 10th June 2018
“At the Balboa Theater on Saturday evening, Mainly Mozart director Michael Francis brought down his baton to unleash a grinding orchestral dissonance that sounded as if it had time-traveled from 1950s Darmstadt back to early 18th-century Paris.”
“…the all-star orchestra followed Francis with delicious precision.”
“This was an exciting […]
Terry Blain, Star Tribune, 11th May 2018
“If unfamiliarity was a problem for the Minnesota Orchestra musicians at the beginning of this week’s rehearsals, it had evaporated by the time of Thursday’s performance. Led with great clarity by young English conductor Michael Francis, the players gave a coruscating account of Vaughan Williams’ symphony.
The Sixth opens […]
Rob Hubbard, Pioneer Press, 10th May 2018
“Making his Minnesota Orchestra debut on the podium was English conductor Michael Francis, and it felt as if the orchestra’s musicians trusted his interpretations wholeheartedly. You may attribute that to his understanding of the place of the Britten and Vaughan Williams pieces in his country’s cultural history, for […]
David J Brown, LA Opus, 18th January 2018
“…how well did Mr. Francis convey his obvious commitment and interpretative insights to an orchestra that had never played the work before? To my ears, the result showed the Pacific Symphony to be more responsive and skillful in their realizing of such an unfamiliar and complex masterpiece […]
Andrew Meacham, Tampa Bay Times, 10th December 2017
“The gala, the orchestra’s only major fund-raising event of the year, raised a record $1.5 million, money that will be used for securing soloists and expanding community work in such areas as schools and hospitals.”
Stefan Amzoll, Neues Deutschland, 15th November 2017
“Some, though not all, of Haydn’s twelve London symphonies showcase how much Mozart learned from his example. The spirit of the Classical period lives in them and broadens our perspective. The aforementioned No. 104 begins with an Adagio framed by chords, a surprise in its time since it […]
