Review

Three Great San Diego Moments of Music From 2015

Garrett Harris, San Diego Reader, 31st December 2015

“If there were a concert that was full of the most great moments, it would have been the Mainly Mozart Festival’s concert of Mozart Piano Concerto No. 21 and Beethoven’s Symphony No. 7. Jon Kimura Parker further solidified his place as one of San Diego’s favorite guests.

The […]

Tampa Bay’s best concerts of 2015

Sharon Kennedy Wynne, Tampa Bay Times, 31st December 2015

“I love how fancy it makes me sound to say that my favorite concert of the year was the debut of Michael Francis as music director of the Florida Orchestra. The Oct. 2 Masterworks concert featured a dazzling pianist on Rachmaninoff’s Piano Concerto No. 3 and […]

Short ISO Classical weekend makes its point substantially in Mendelssohn-Tchaikovsky-Elgar program

Tom Aldridge, Nuvo, 19th October 2015

“[Michael] Francis, with crisp, exacting baton work, got corresponding playing from his orchestra: perfect phrasing, excellent dynamic shaping, continuous precision. After experiencing that opener [Mendelssohn’s Overture to Calm Sea and Prosperous Voyage, Op. 27], I expected and got similar finesse in the Tchaikovsky, and especially in the big closing […]

Short ISO Classical weekend makes its point substantially in Mendelssohn-Tchaikovsky-Elgar program

Jay Harvey, Jay Harvey Upstage, 17th October 2015

“Francis and the ISO caught the becalmed mood of the first part of “Calm Sea and Prosperous Voyage” perfectly, which made the transition to the energetic second half of the piece all the more exciting. The ensemble exhilaration was well-maintained right through to the triumph of […]

“And They’re Off!” at San Diego’s Mainly Mozart Festival

Gil French, American Record Guide, September/October 2015

“Francis conducted a truly triumphant concert…What an entertainment Mozart’s Serenata Notturna was! The orchestra had bite, the Viennese string quartet (violin, viola, cello, and string bass) was sweet, the timpani was boisterous, and all the strings were crisp and pungent with facetious pizzicatos. The quartet’s solos in the […]

An Impressive Showing from Canada’s National Youth Orchestra

Geoffrey Newman, Seen and Heard International, 13th August 2015

For a long time, I was suspicious of how good national youth orchestras could be. This all changed about 20 years ago when I heard Christopher Seaman put the National Youth Orchestra of Great Britain through its paces at the Barbican and bring an unforgettable freshness […]

Silky lyricism and taut brutalism

Charles Pope Jr., Concerto.net, 30th July 2015

Canada’s National Youth Orchestra again gave a stunning summer performance in Ottawa during late July. As always, the orchestra comprised the cream of top young players, most of them already well launched on careers as orchestral musicians and future teachers. A good deal of the credit this year […]

NYO Canada Cross the Bridge Between Music and Education

Arthur Kaptainis, Musical Toronto, 28th July 2015

The main event was Holst’s The Planets. Mars is in no danger of losing its bellicose reputation. All the same, the British conductor Michael Francis managed to add an edge by upping the tempo while keeping articulation clear. Seldom has that quintuple beat sounded so convincingly like a […]

Mainly Mozart’s Michael Francis Era: the First Installment Considered

Ken Herman, San Diego Story, 21st June 2015

“Michael Francis climaxed his first Mainly Mozart Festival with a rousing program that had Saturday’s (June 20) sold-out Balboa Theatre patrons on their feet cheering. Like his pedal-to-the-metal Beethoven Seventh than concluded his opening night concert two weeks ago, his Mozart Symphony No. 40 in G Minor […]

Second Mainly Mozart Orchestra Concert

Ken Herman, San Diego Story, 11th June 2015

“Ever since Robert Schumann proclaimed Felix Mendelssohn as ‘the Mozart of the Nineteenth Century,’ it has seemed entirely natural to program the music of these two composers side by side. Too often, however, Mendelssohn’s mellifluous ease is overshadowed by Mozart’s quicksilver psychological complexity, but Mainly Mozart Music […]