Tom Aldridge, Nuvo, 19th October 2015
“[Michael] Francis, with crisp, exacting baton work, got corresponding playing from his orchestra: perfect phrasing, excellent dynamic shaping, continuous precision. After experiencing that opener [Mendelssohn’s Overture to Calm Sea and Prosperous Voyage, Op. 27], I expected and got similar finesse in the Tchaikovsky, and especially in the big closing work, Edward Elgar’s Enigma Variations.”
